reading list
MaddAddam (1): Oryx and Crake
Margaret Atwood
A post-apocalyptic flashback autobiography from some guy who was friends with the man who invents the bioweapon which immenatizes the apocalypse the story takes place within. Snowman is worshipped by the genetically engineered species this guy was working on, fabricating a logos of their origins and his relation to their creator, as well as his (deceased) love interest who occasionally appears to him during peak delusion.
Semi-unexplained climate apocalypse feels like a lazy setting for a doomsday story like this. It was certainly trendy at the time (the wake of Al Gore, etc.) and climate crisis isn’t verboten for no good reason, but leaning on that when the origin of your doomsday is the eradication of man which implicitly caused the climate crisis feels more like doomer propaganda than a cool plausible setting.
Another point of contention which I flip-flopped on when reading the book was the misandry thinly veiled as the (at first) painfully 1-dimensional misogyny from the two main characters. It’s most noticeable in Jimmy’s youth, as a poor characterization of boyish adolescence, but gets rounded out when he graduates to legitimate home wrecking and playboy lifestyles towards the middle of the book. I was going to omit the critique until the end of the book when it was reiterated as one of the main themes (the vileness of man) up until the book ends without giving any sound justification or explanation for why the two vile characters behave(d) the way they did, but instead passes it off as a “and they live among us everyday” kind of fear mongering. As if it’s normal for kids to watch CP, beheadings, beastiality, etc. and smoke weed like “yeah dude, this rocks.” The least believable part of the story is that this somehow gets normalized in the future when everything becomes commoditized, but it’s still taboo. Jimmy’s backstory ends up serving no purpose other than to tell us about Crake, who’s backstory absents itself of any explanation about how such a kid could go from A to B, where A is resenting the man sleeping with his mother to B being eugenics, murder, human trafficking, etc.
The characters aren’t *just* underdeveloped, they’re inhuman (no pun intended).
The book started low (6.25), improved during the academic phase (6.75), and then fell back off with the unfulfilling ending (6.5) which didn’t particularly make me want to read more of the series, let alone Margie Marge.
"He shouldn’t torture himself. He shouldn’t dangle impossibilities in front of himself as if he were some caged, wired up lab animal performing lab experiments on his own brain” – is a nice, appropriately subtle but informative foreshadowing of exactly what Snowman is.
Painstaking characterization of the Crakers reproductive tendencies is akin to the lengthy detailing of Le Guin’s descriptions of Androgyns of Left Hand of Darkness. The story structure is also similar to Le Guin’s “The Dispossessed,” but less captivating because the transition from the start of the book to the climax is transparently telegraphed, whereas the former’s development is more mysterious and intriguing. No penalty for not being mysterious since that’s not what the book was going for – it was going for gasps, and the nonchalant normalization of CP seemed irreverent (unlike other books tagged with vile which at least handle the weighty subjects with care – this one seemed to just reach into the toolbag of “worst shit you can think of” and then hit a foul ball with it).
Weird idea that dreams and singing are indelible features of humanity which can’t be gene-edited away, but love, desire, and sex are more malleable. What’s she trying to say?
Also disliked the handwavey hackerman ex machina – if it’s so easy that even a kid can do it, then why not take the time to make it not sound stupid in the book? Or make it more believable like “Crake stole someone’s login” instead of making him sound like a super genius who still chooses to smoke weed and watch nudy news and liveleak beheadings. By itself, would be forgivable, but since it’s used to build an offensively unrealistic character, I tack on another minus minus.
related
| Read | Author | Title | Pages | Published | Genre | Rating | Rating' | Tags | Recommended by |
|---|---|---|---|---|---|---|---|---|---|
| 8/28/24 | Margaret Atwood | Oryx and Crake MaddAddam (1) | 400 | 2003 | Sci-Fi | 6.000 | 5.556 | Steg | |
| 4/20/16 | Orson Scott Card | Ender's Game Ender (1) | 324 | 1985 | Sci-Fi | 7.750 | 7.500 | simulationwargames | |
| 10/30/24 | David Foster Wallace | Infinite Jest | 1451 | 1996 | Fiction | 10.000 | 10.000 | vilewargames | |
| 4/9/19 | Stephen King | Full Dark, No Stars | 368 | 2010 | Horror | 8.000 | 7.778 | vile"we have to get rid of your mother" | Dad |
| 2/28/25 | Pierce Brown | Red Rising Red Rising Saga (1) | 382 | 2014 | Sci-Fi | 5.500 | 5.000 | wargames | Thomas |
| 8/29/24 | José Saramago | Blindness | 352 | 1995 | Sci-Fi | 7.000 | 6.667 | vile | |
| 7/28/24 | Ursula K. Le Guin | Four Ways to Forgiveness Hainish Cycle (7) | 320 | 1995 | Sci-Fi | 5.500 | 5.000 | vile | |
| 7/26/24 | Ursula K. Le Guin | The Left Hand of Darkness Hainish Cycle (4) | 337 | 1969 | Sci-Fi | 7.500 | 7.222 | referenced | |
| 10/1/22 | Cixin Liu | The Three Body Problem Three Body Problem (1) | 302 | 2008 | Sci-Fi | 8.000 | 7.778 | simulation | Alex W. |
| 10/6/26 | Rohinton Mistry | A Fine Balance | 624 | 1995 | Fiction | 7.650 | 7.389 | vile | Kayla |
| 6/26/26 | William T. Vollmann | Europe Central | 832 | 2005 | Historical Fiction | 8.550 | 8.389 | vile | |
| 5/5/26 | Brian Evenson | Altmann's Tongue | 278 | 1994 | Fiction | 6.500 | 6.111 | vile | |
| 3/27/26 | Roberto Bolaño | The Third Reich | 277 | 1989 | Fiction | 7.750 | 7.500 | wargames | |
| 3/20/26 | Roberto Bolaño | Antwerp | 119 | 2002 | Fiction | 7.250 | 6.944 | vile | |
| 1/30/26 | William H. Gass | The Tunnel | 652 | 1995 | Fiction | 8.550 | 8.389 | vile | Ben Roth |
| 1/19/26 | Raymond Carver | What We Talk About When We Talk About Love | 176 | 1981 | Fiction | 6.500 | 6.111 | vile | |
| 11/27/25 | Vladimir Sorokin | Their Four Hearts | 204 | 1994 | Fiction | 7.500 | 7.222 | vile | |
| 10/12/25 | László Krasznahorkai | Sátántangó | 333 | 1985 | Fiction | 7.850 | 7.611 | vile | |
| 10/2/25 | Brett Easton Ellis | The Informers | 240 | 1994 | Fiction | 7.000 | 6.667 | vile | |
| 9/16/25 | David Foster Wallace | Brief Interviews with Hideous Men | 288 | 1999 | Fiction | 8.633 | 8.481 | vile | |
| 5/27/25 | Hubert Selby Jr. | Last Exit to Brooklyn | 320 | 1964 | Fiction | 8.708 | 8.565 | vile | King |
| 4/16/25 | Blake Butler | Uxa.Gov | 356 | 2024 | Horror | 4.500 | 3.889 | vile | |
| 1/9/25 | Brett Easton Ellis | American Psycho | 399 | 1991 | Horror | 7.750 | 7.500 | vile | |
| 1/7/25 | William Peter Blatty | The Exorcist | 340 | 1971 | Horror | 8.000 | 7.778 | vile | Dad |
| 9/29/24 | Joe Hill | Heart Shaped Box | 402 | 2000 | Horror | 6.750 | 6.389 | vile | |
| 9/25/24 | Ray Bradbury | The Veldt | 13 | 1950 | Fiction | 6.500 | 6.111 | simulation | |
| 9/9/24 | Thomas Pynchon | V. | 545 | 1963 | Fiction | 7.221 | 6.912 | vile | |
| 8/30/24 | David Crow | The Pale-faced Lie | 342 | 2019 | Biography | 8.000 | 7.778 | "we have to get rid of your mother" | Crow |
| 8/25/24 | George R.R. Martin | A Dance with Dragons A Song of Ice and Fire (5) | 1056 | 2011 | Fantasy | 7.500 | 7.222 | vile | |
| 7/16/24 | Mark Z. Danielewski | House of Leaves, 2nd Ed. | 709 | 2000 | Ergodic | 10.000 | 10.000 | "we have to get rid of your mother" | |
| 6/26/24 | Various | American Short Fiction Vol. 9, Issue 33 | 128 | 2006 | Fiction | 7.625 | 7.361 | vile | |
| 5/30/24 | Vladimir Nabokov | Lolita | 336 | 1955 | Fiction | 8.213 | 8.014 | vile | |
| 4/9/24 | Roberto Bolaño | 2666: A Novel | 912 | 2004 | Fiction | 8.150 | 7.944 | vile | roon |
| 12/4/23 | Agustina Bazterrica | Tender is the Flesh | 224 | 2017 | Horror | 6.500 | 6.111 | cannibalism | Jessika |
| 7/6/23 | Dan Simmons | Carrion Comfort | 802 | 1989 | Horror | 8.563 | 8.403 | vile | |
| 9/21/26 | Yoko Ogawa | The Memory Police | 288 | 1994 | Sci-Fi | 4.000 | 3.333 | ||
| 7/1/26 | Vernor Vinge | A Fire Upon the Deep | 626 | 1992 | Sci-Fi | 7.250 | 6.944 | ||
| 12/31/25 | Cixin Liu | To Hold Up the Sky | 336 | 2021 | Sci-Fi | 6.700 | 6.333 | ||
| 11/9/25 | Greg Egan | Distress Subjective Cosmology Cycle (3) | 342 | 1998 | Sci-Fi | 7.000 | 6.667 | ||
| 10/29/25 | Greg Egan | Quarantine Subjective Cosmology Cycle (1) | 280 | 1992 | Sci-Fi | 7.750 | 7.500 | ||
| 10/15/25 | Robert A. Heinlein | Starship Troopers | 290 | 1987 | Sci-Fi | 8.000 | 7.778 | Charlie J. | |
| 9/14/25 | Kurt Vonnegut | Player Piano | 296 | 1952 | Sci-Fi | 6.650 | 6.278 | ||
| 9/10/25 | George Orwell | 1984 | 328 | 1949 | Sci-Fi | 7.750 | 7.500 | ||
| 9/7/25 | Yevgeny Zamyatin | We | 226 | 1924 | Sci-Fi | 7.000 | 6.667 | ||
| 9/6/25 | Aldous Huxley | Brave New World | 288 | 1932 | Sci-Fi | 7.250 | 6.944 | ||
| 8/11/25 | Greg Egan | Diaspora | 376 | 1997 | Sci-Fi | 8.000 | 7.778 | thesephist | |
| 8/11/25 | Olga Ravn | The Employees | 126 | 2020 | Sci-Fi | 5.500 | 5.000 | ||
| 6/8/25 | Helen Phillips | The Need | 272 | 2019 | Sci-Fi | 7.150 | 6.833 | ||
| 4/7/25 | Pierce Brown | Light Bringer Red Rising Saga (6) | 704 | 2023 | Sci-Fi | 7.750 | 7.500 | Thomas | |
| 3/27/25 | Pierce Brown | Dark Age Red Rising Saga (5) | 784 | 2019 | Sci-Fi | 7.500 | 7.222 | Thomas | |
| 3/18/25 | Pierce Brown | Iron Gold Red Rising Saga (4) | 596 | 2018 | Sci-Fi | 6.000 | 5.556 | Thomas | |
| 3/18/25 | qntm | Fine Structure | 386 | 2021 | Sci-Fi | 7.000 | 6.667 | ||
| 3/13/25 | Pierce Brown | Morning Star Red Rising Saga (3) | 518 | 2016 | Sci-Fi | 5.125 | 4.583 | Thomas | |
| 3/5/25 | Pierce Brown | Golden Son Red Rising Saga (2) | 464 | 2015 | Sci-Fi | 5.875 | 5.417 | Thomas | |
| 2/18/25 | Hugh Howie | Dust Silo (3) | 480 | 2013 | Sci-Fi | 7.000 | 6.667 | Jack M. | |
| 2/14/25 | Hugh Howie | Shift Silo (2) | 576 | 2013 | Sci-Fi | 7.250 | 6.944 | Jack M. | |
| 2/9/25 | Hugh Howie | Wool Silo (1) | 592 | 2011 | Sci-Fi | 7.000 | 6.667 | Jack M. | |
| 2/1/25 | Matt Dinniman | Dungeon Crawler Carl Dungeon Crawler Carl (1) | 464 | 2020 | Sci-Fi | 6.000 | 5.556 | Noah | |
| 1/15/25 | qntm | Ed | 144 | 2021 | Sci-Fi | 7.000 | 6.667 | ||
| 1/13/25 | qntm | Valuable Humans in Transit and Other Stories | 107 | 2022 | Sci-Fi | 7.375 | 7.083 | ||
| 1/3/25 | Isaac Asimov | Nightfall and Other Stories | 352 | 1969 | Sci-Fi | 6.737 | 6.374 | ||
| 12/7/24 | Dan Simmons | The Rise of Endymion Hyperion Cantos (4) | 579 | 1997 | Sci-Fi | 6.000 | 5.556 | ||
| 11/30/24 | Dan Simmons | Endymion Hyperion Cantos (3) | 441 | 1996 | Sci-Fi | 6.250 | 5.833 | ||
| 11/30/24 | George R.R. Martin | Dreamsongs: The Second Kind of Loneliness | 670 | 1972 | Sci-Fi | 7.250 | 6.944 | ||
| 11/24/24 | Dan Simmons | The Fall of Hyperion Hyperion Cantos (2) | 517 | 1990 | Sci-Fi | 8.250 | 8.056 | ||
| 11/16/24 | Dan Simmons | Hyperion Hyperion Cantos (1) | 482 | 1989 | Sci-Fi | 8.025 | 7.806 | ||
| 9/6/24 | Alastair Reynolds | Eversion | 352 | 2022 | Sci-Fi | 7.083 | 6.759 | Nick W. | |
| 9/6/24 | Greg Egan | You and Whose Army? | 34 | 1998 | Sci-Fi | 6.750 | 6.389 | ||
| 9/5/24 | Greg Egan | Planck Dive | 23 | 1998 | Sci-Fi | 9.250 | 9.167 | ||
| 9/4/24 | Paul Anderson | Tau Zero | 232 | 1970 | Sci-Fi | 7.250 | 6.944 | roon | |
| 8/1/24 | Ursula K. Le Guin | The Telling Hainish Cycle (8) | 416 | 2000 | Sci-Fi | 6.500 | 6.111 | ||
| 7/26/24 | Ursula K. Le Guin | The Word for World is Forest Hainish Cycle (5) | 189 | 1972 | Sci-Fi | 7.750 | 7.500 | ||
| 7/16/24 | Ursula K. Le Guin | City of Illusions Hainish Cycle (3) | 199 | 1967 | Sci-Fi | 6.750 | 6.389 | ||
| 7/10/24 | Ursula K. Le Guin | Rocannon's World Hainish Cycle (1) | 258 | 1966 | Sci-Fi | 6.500 | 6.111 | ||
| 7/10/24 | Ursula K. Le Guin | Planet of Exile Hainish Cycle (2) | 135 | 1966 | Sci-Fi | 6.000 | 5.556 | ||
| 6/30/24 | Ursula K. Le Guin | The Dispossessed Hainish Cycle (6) | 284 | 1974 | Sci-Fi | 7.850 | 7.611 | ||
| 6/14/24 | Philip K. Dick | Ubik | 241 | 1969 | Sci-Fi | 6.500 | 6.111 | ||
| 6/14/24 | Philip K. Dick | The Three Stigmata of Palmer Eldritch | 290 | 1964 | Sci-Fi | 7.500 | 7.222 | ||
| 6/13/24 | Neal Stephenson | Seveneves | 880 | 2015 | Sci-Fi | 8.750 | 8.611 | ||
| 6/2/24 | Philip K. Dick | Flow My Tears, the Policeman Said | 259 | 1974 | Sci-Fi | 7.063 | 6.736 | ||
| 5/27/24 | Philip K. Dick | A Scanner Darkly | 220 | 1977 | Sci-Fi | 6.750 | 6.389 | ||
| 5/22/24 | Philip K. Dick | Do Androids Dream of Electric Sheep? | 274 | 1968 | Sci-Fi | 8.000 | 7.778 | ||
| 5/12/24 | Italo Calvino | Cosmicomics | 179 | 1965 | Sci-Fi | 7.029 | 6.699 | Will Liff. | |
| 1/13/24 | Iain Banks | Consider Phlebas Culture (1) | 471 | 1987 | Sci-Fi | 6.250 | 5.833 | roon | |
| 1/1/24 | Arthur C. Clarke | Fountains of Paradise | 263 | 1979 | Sci-Fi | 7.000 | 6.667 | ||
| 12/17/23 | James S.A. Corey | Caliban's War The Expanse (2) | 605 | 2012 | Sci-Fi | 5.000 | 4.444 | Charlie J. | |
| 10/28/23 | James S.A. Corey | Leviathan Wakes The Expanse (1) | 577 | 2011 | Sci-Fi | 6.750 | 6.389 | Charlie J. | |
| 10/14/23 | Roger Zelazny | Lord of Light | 308 | 1967 | Sci-Fi | 6.750 | 6.389 | ||
| 8/23/23 | Adrian Tchaikovsky | Cage of Souls | 638 | 2019 | Sci-Fi | 8.000 | 7.778 | Alex W. | |
| 7/15/23 | Gene Wolfe | Fifth Head of Cerberus | 244 | 1972 | Sci-Fi | 9.083 | 8.981 | ||
| 6/18/23 | Various | Obsolescence | 360 | 2023 | Sci-Fi | 6.000 | 5.556 | ||
| 1/31/23 | Greg Egan | Permutation City Subjective Cosmology Cycle (2) | 275 | 1994 | Sci-Fi | 6.750 | 6.389 | ||
| 1/29/23 | George Saunders | Escape from Spiderhead | 10 | 2010 | Sci-Fi | 7.750 | 7.500 | ||
| 1/27/23 | Robert A. Heinlein | The Moon is a Harsh Mistress | 382 | 1966 | Sci-Fi | 8.250 | 8.056 | ||
| 1/18/23 | Adrian Tchaikovsky | Children of Ruin Children of Time (2) | 475 | 2019 | Sci-Fi | 6.750 | 6.389 | Alex W. | |
| 1/15/23 | Blake Crouch | Dark Matter | 368 | 2017 | Sci-Fi | 7.000 | 6.667 | Nick W. | |
| 1/13/23 | Adrian Tchaikovsky | Children of Time Children of Time (1) | 513 | 2015 | Sci-Fi | 7.000 | 6.667 | Alex W. | |
| 1/11/23 | Ted Chiang | Exhalation | 368 | 2019 | Sci-Fi | 7.500 | 7.222 | ||
| 1/8/23 | Joe Halderman | The Forever War | 236 | 1974 | Sci-Fi | 5.000 | 4.444 | ||
| 10/27/22 | Cixin Liu | Deaths End Three Body Problem (3) | 592 | 2008 | Sci-Fi | 8.500 | 8.333 | Alex W. | |
| 10/17/22 | Cixin Liu | The Dark Forest Three Body Problem (2) | 400 | 2008 | Sci-Fi | 9.000 | 8.889 | Alex W. | |
| 10/10/22 | Isaac Asimov | Second Foundation Foundation (4) | 210 | 1953 | Sci-Fi | 6.500 | 6.111 | ||
| 9/15/22 | Isaac Asimov | Foundation Foundation (3) | 255 | 1951 | Sci-Fi | 6.500 | 6.111 | ||
| 9/11/22 | Isaac Asimov | Forward the Foundation Foundation (2) | 417 | 1993 | Sci-Fi | 7.000 | 6.667 | ||
| 9/5/22 | Frank Herbert | Dune Messiah Dune (2) | 256 | 1969 | Sci-Fi | 7.000 | 6.667 | ||
| 9/5/22 | Frank Herbert | Children of Dune Dune (3) | 444 | 1976 | Sci-Fi | 6.500 | 6.111 | ||
| 8/6/22 | Frank Herbert | Dune Dune (1) | 412 | 1965 | Sci-Fi | 7.500 | 7.222 | ||
| 7/13/22 | Isaac Asimov | Prelude to Foundation Foundation (1) | 448 | 1988 | Sci-Fi | 6.500 | 6.111 | ||
| 10/13/16 | Ernest Cline | Ready Player One | 384 | 2011 | Sci-Fi | 6.500 | 6.111 | ||
| 8/16/16 | Douglas Adams | The Hitchhiker's Guide to the Galaxy | 224 | 1979 | Sci-Fi | 6.500 | 6.111 | ||
| 6/28/13 | Eoin Colfer | The Supernaturalist | 290 | 2004 | Sci-Fi | 7.000 | 6.667 |