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Subjective Cosmology Cycle (3): Distress
Greg Egan
The protagonist of Distress is a cyborg (?), pseudo journalist named Andrew, tasked with reporting on an academic conference where physicists will present their Theories of Everything.
One of the previous films that he had been tasked with recording and editing, was on gender. In the future, there's several other genders, and he gets into a philosophical debate with his girlfriend about whether or not there are now simply seven pigeon holes instead of two, and the ability of one person to speak on behalf of a whole group since that's what several of the asexual genders seemed to be trying to distance themselves from. She compares his involvement in the media of platforming people who seem to speak on behalf of everyone and he points out that that is sometimes been necessary for for example, the civil rights or women's liberation movement.
It's kind of a hilarious –but serious– theme in the book where the cyborg (and I don't know if I attribute this more to him being robotic or just being autistic), operates within his relationship with his girlfriend according to a rigid set of rules, and when she still gets upset at him for their very human conversations, despite the futuristic subjects, he has to replay the set of rules to try to figure out where he went wrong. Even in the future for robotic, super computers, women are still fickle.
After the autistic robot inevitably is incapable of meaningfully caring for his girlfriend, and she has an affair with him, breaks up with him, and blames it on him for not even being able to notice that she feels neglected. He resigns himself to a life of solitude and chalks it up to the Hippocratic oath saying 'do no harm,' which is about the most autistic cyborg thing that you can do kind of proving her point.
More detective work as various cults of ignorance try to tamper with conference proceedings since they fear that one of the theories will result in the creation of everything, kind of like a second big bang speaking itself into existence and hinging on the lynchpin presenter.
So Andrew ends up being the keystone about which the entirety of creation comes into being retconning himself into existence in the only thing that prevents everything from unraveling, as predicted by the moderate and through cosmologists is the fact that he does not think that he can fully know his friend who is the asexual South African. Very peculiar.
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| Read | Author | Title | Pages | Published | Genre | Rating | Rating' | Tags | Recommended by |
|---|---|---|---|---|---|---|---|---|---|
| 11/9/25 | Greg Egan | Distress Subjective Cosmology Cycle (3) | 342 | 1998 | Sci-Fi | 7.000 | 6.667 | ||
| 10/29/25 | Greg Egan | Quarantine Subjective Cosmology Cycle (1) | 280 | 1992 | Sci-Fi | 7.750 | 7.500 | ||
| 1/31/23 | Greg Egan | Permutation City Subjective Cosmology Cycle (2) | 275 | 1994 | Sci-Fi | 6.750 | 6.389 | ||
| 8/11/25 | Greg Egan | Diaspora | 376 | 1997 | Sci-Fi | 8.000 | 7.778 | thesephist | |
| 9/6/24 | Greg Egan | You and Whose Army? | 34 | 1998 | Sci-Fi | 6.750 | 6.389 | ||
| 9/5/24 | Greg Egan | Planck Dive | 23 | 1998 | Sci-Fi | 9.250 | 9.167 | ||
| 7/30/25 | John Milton | Paradise Lost: The Biblically Annotated Edition | 512 | 1674 | Poetry | 10.000 | 10.000 | gender fluidity | Dasha |
| 6/9/25 | Vladimir Nabokov | Bend Sinister | 272 | 1947 | Fiction | 7.250 | 6.944 | Freud sucks | |
| 2/28/23 | Ada Palmer | Too Like the Lightning Terra Ignota (1) | 433 | 2016 | Sci-Fantasy | 7.750 | 7.500 | gender fluidity | roon |
| 9/21/26 | Yoko Ogawa | The Memory Police | 288 | 1994 | Sci-Fi | 4.000 | 3.333 | ||
| 7/1/26 | Vernor Vinge | A Fire Upon the Deep | 626 | 1992 | Sci-Fi | 7.250 | 6.944 | ||
| 12/31/25 | Cixin Liu | To Hold Up the Sky | 336 | 2021 | Sci-Fi | 6.700 | 6.333 | ||
| 10/15/25 | Robert A. Heinlein | Starship Troopers | 290 | 1987 | Sci-Fi | 8.000 | 7.778 | Charlie J. | |
| 9/14/25 | Kurt Vonnegut | Player Piano | 296 | 1952 | Sci-Fi | 6.650 | 6.278 | ||
| 9/10/25 | George Orwell | 1984 | 328 | 1949 | Sci-Fi | 7.750 | 7.500 | ||
| 9/7/25 | Yevgeny Zamyatin | We | 226 | 1924 | Sci-Fi | 7.000 | 6.667 | ||
| 9/6/25 | Aldous Huxley | Brave New World | 288 | 1932 | Sci-Fi | 7.250 | 6.944 | ||
| 8/11/25 | Olga Ravn | The Employees | 126 | 2020 | Sci-Fi | 5.500 | 5.000 | ||
| 6/8/25 | Helen Phillips | The Need | 272 | 2019 | Sci-Fi | 7.150 | 6.833 | ||
| 4/7/25 | Pierce Brown | Light Bringer Red Rising Saga (6) | 704 | 2023 | Sci-Fi | 7.750 | 7.500 | Thomas | |
| 3/27/25 | Pierce Brown | Dark Age Red Rising Saga (5) | 784 | 2019 | Sci-Fi | 7.500 | 7.222 | Thomas | |
| 3/18/25 | Pierce Brown | Iron Gold Red Rising Saga (4) | 596 | 2018 | Sci-Fi | 6.000 | 5.556 | Thomas | |
| 3/18/25 | qntm | Fine Structure | 386 | 2021 | Sci-Fi | 7.000 | 6.667 | ||
| 3/13/25 | Pierce Brown | Morning Star Red Rising Saga (3) | 518 | 2016 | Sci-Fi | 5.125 | 4.583 | Thomas | |
| 3/5/25 | Pierce Brown | Golden Son Red Rising Saga (2) | 464 | 2015 | Sci-Fi | 5.875 | 5.417 | Thomas | |
| 2/28/25 | Pierce Brown | Red Rising Red Rising Saga (1) | 382 | 2014 | Sci-Fi | 5.500 | 5.000 | Thomas | |
| 2/18/25 | Hugh Howie | Dust Silo (3) | 480 | 2013 | Sci-Fi | 7.000 | 6.667 | Jack M. | |
| 2/14/25 | Hugh Howie | Shift Silo (2) | 576 | 2013 | Sci-Fi | 7.250 | 6.944 | Jack M. | |
| 2/9/25 | Hugh Howie | Wool Silo (1) | 592 | 2011 | Sci-Fi | 7.000 | 6.667 | Jack M. | |
| 2/1/25 | Matt Dinniman | Dungeon Crawler Carl Dungeon Crawler Carl (1) | 464 | 2020 | Sci-Fi | 6.000 | 5.556 | Noah | |
| 1/15/25 | qntm | Ed | 144 | 2021 | Sci-Fi | 7.000 | 6.667 | ||
| 1/13/25 | qntm | Valuable Humans in Transit and Other Stories | 107 | 2022 | Sci-Fi | 7.375 | 7.083 | ||
| 1/3/25 | Isaac Asimov | Nightfall and Other Stories | 352 | 1969 | Sci-Fi | 6.737 | 6.374 | ||
| 12/7/24 | Dan Simmons | The Rise of Endymion Hyperion Cantos (4) | 579 | 1997 | Sci-Fi | 6.000 | 5.556 | ||
| 11/30/24 | Dan Simmons | Endymion Hyperion Cantos (3) | 441 | 1996 | Sci-Fi | 6.250 | 5.833 | ||
| 11/30/24 | George R.R. Martin | Dreamsongs: The Second Kind of Loneliness | 670 | 1972 | Sci-Fi | 7.250 | 6.944 | ||
| 11/24/24 | Dan Simmons | The Fall of Hyperion Hyperion Cantos (2) | 517 | 1990 | Sci-Fi | 8.250 | 8.056 | ||
| 11/16/24 | Dan Simmons | Hyperion Hyperion Cantos (1) | 482 | 1989 | Sci-Fi | 8.025 | 7.806 | ||
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| 9/4/24 | Paul Anderson | Tau Zero | 232 | 1970 | Sci-Fi | 7.250 | 6.944 | roon | |
| 8/29/24 | José Saramago | Blindness | 352 | 1995 | Sci-Fi | 7.000 | 6.667 | ||
| 8/28/24 | Margaret Atwood | Oryx and Crake MaddAddam (1) | 400 | 2003 | Sci-Fi | 6.000 | 5.556 | Steg | |
| 8/1/24 | Ursula K. Le Guin | The Telling Hainish Cycle (8) | 416 | 2000 | Sci-Fi | 6.500 | 6.111 | ||
| 7/28/24 | Ursula K. Le Guin | Four Ways to Forgiveness Hainish Cycle (7) | 320 | 1995 | Sci-Fi | 5.500 | 5.000 | ||
| 7/26/24 | Ursula K. Le Guin | The Left Hand of Darkness Hainish Cycle (4) | 337 | 1969 | Sci-Fi | 7.500 | 7.222 | ||
| 7/26/24 | Ursula K. Le Guin | The Word for World is Forest Hainish Cycle (5) | 189 | 1972 | Sci-Fi | 7.750 | 7.500 | ||
| 7/16/24 | Ursula K. Le Guin | City of Illusions Hainish Cycle (3) | 199 | 1967 | Sci-Fi | 6.750 | 6.389 | ||
| 7/10/24 | Ursula K. Le Guin | Rocannon's World Hainish Cycle (1) | 258 | 1966 | Sci-Fi | 6.500 | 6.111 | ||
| 7/10/24 | Ursula K. Le Guin | Planet of Exile Hainish Cycle (2) | 135 | 1966 | Sci-Fi | 6.000 | 5.556 | ||
| 6/30/24 | Ursula K. Le Guin | The Dispossessed Hainish Cycle (6) | 284 | 1974 | Sci-Fi | 7.850 | 7.611 | ||
| 6/14/24 | Philip K. Dick | Ubik | 241 | 1969 | Sci-Fi | 6.500 | 6.111 | ||
| 6/14/24 | Philip K. Dick | The Three Stigmata of Palmer Eldritch | 290 | 1964 | Sci-Fi | 7.500 | 7.222 | ||
| 6/13/24 | Neal Stephenson | Seveneves | 880 | 2015 | Sci-Fi | 8.750 | 8.611 | ||
| 6/2/24 | Philip K. Dick | Flow My Tears, the Policeman Said | 259 | 1974 | Sci-Fi | 7.063 | 6.736 | ||
| 5/27/24 | Philip K. Dick | A Scanner Darkly | 220 | 1977 | Sci-Fi | 6.750 | 6.389 | ||
| 5/22/24 | Philip K. Dick | Do Androids Dream of Electric Sheep? | 274 | 1968 | Sci-Fi | 8.000 | 7.778 | ||
| 5/12/24 | Italo Calvino | Cosmicomics | 179 | 1965 | Sci-Fi | 7.029 | 6.699 | Will Liff. | |
| 1/13/24 | Iain Banks | Consider Phlebas Culture (1) | 471 | 1987 | Sci-Fi | 6.250 | 5.833 | roon | |
| 1/1/24 | Arthur C. Clarke | Fountains of Paradise | 263 | 1979 | Sci-Fi | 7.000 | 6.667 | ||
| 12/17/23 | James S.A. Corey | Caliban's War The Expanse (2) | 605 | 2012 | Sci-Fi | 5.000 | 4.444 | Charlie J. | |
| 10/28/23 | James S.A. Corey | Leviathan Wakes The Expanse (1) | 577 | 2011 | Sci-Fi | 6.750 | 6.389 | Charlie J. | |
| 10/14/23 | Roger Zelazny | Lord of Light | 308 | 1967 | Sci-Fi | 6.750 | 6.389 | ||
| 8/23/23 | Adrian Tchaikovsky | Cage of Souls | 638 | 2019 | Sci-Fi | 8.000 | 7.778 | Alex W. | |
| 7/15/23 | Gene Wolfe | Fifth Head of Cerberus | 244 | 1972 | Sci-Fi | 9.083 | 8.981 | ||
| 6/18/23 | Various | Obsolescence | 360 | 2023 | Sci-Fi | 6.000 | 5.556 | ||
| 1/29/23 | George Saunders | Escape from Spiderhead | 10 | 2010 | Sci-Fi | 7.750 | 7.500 | ||
| 1/27/23 | Robert A. Heinlein | The Moon is a Harsh Mistress | 382 | 1966 | Sci-Fi | 8.250 | 8.056 | ||
| 1/18/23 | Adrian Tchaikovsky | Children of Ruin Children of Time (2) | 475 | 2019 | Sci-Fi | 6.750 | 6.389 | Alex W. | |
| 1/15/23 | Blake Crouch | Dark Matter | 368 | 2017 | Sci-Fi | 7.000 | 6.667 | Nick W. | |
| 1/13/23 | Adrian Tchaikovsky | Children of Time Children of Time (1) | 513 | 2015 | Sci-Fi | 7.000 | 6.667 | Alex W. | |
| 1/11/23 | Ted Chiang | Exhalation | 368 | 2019 | Sci-Fi | 7.500 | 7.222 | ||
| 1/8/23 | Joe Halderman | The Forever War | 236 | 1974 | Sci-Fi | 5.000 | 4.444 | ||
| 10/27/22 | Cixin Liu | Deaths End Three Body Problem (3) | 592 | 2008 | Sci-Fi | 8.500 | 8.333 | Alex W. | |
| 10/17/22 | Cixin Liu | The Dark Forest Three Body Problem (2) | 400 | 2008 | Sci-Fi | 9.000 | 8.889 | Alex W. | |
| 10/10/22 | Isaac Asimov | Second Foundation Foundation (4) | 210 | 1953 | Sci-Fi | 6.500 | 6.111 | ||
| 10/1/22 | Cixin Liu | The Three Body Problem Three Body Problem (1) | 302 | 2008 | Sci-Fi | 8.000 | 7.778 | Alex W. | |
| 9/15/22 | Isaac Asimov | Foundation Foundation (3) | 255 | 1951 | Sci-Fi | 6.500 | 6.111 | ||
| 9/11/22 | Isaac Asimov | Forward the Foundation Foundation (2) | 417 | 1993 | Sci-Fi | 7.000 | 6.667 | ||
| 9/5/22 | Frank Herbert | Dune Messiah Dune (2) | 256 | 1969 | Sci-Fi | 7.000 | 6.667 | ||
| 9/5/22 | Frank Herbert | Children of Dune Dune (3) | 444 | 1976 | Sci-Fi | 6.500 | 6.111 | ||
| 8/6/22 | Frank Herbert | Dune Dune (1) | 412 | 1965 | Sci-Fi | 7.500 | 7.222 | ||
| 7/13/22 | Isaac Asimov | Prelude to Foundation Foundation (1) | 448 | 1988 | Sci-Fi | 6.500 | 6.111 | ||
| 10/13/16 | Ernest Cline | Ready Player One | 384 | 2011 | Sci-Fi | 6.500 | 6.111 | ||
| 8/16/16 | Douglas Adams | The Hitchhiker's Guide to the Galaxy | 224 | 1979 | Sci-Fi | 6.500 | 6.111 | ||
| 4/20/16 | Orson Scott Card | Ender's Game Ender (1) | 324 | 1985 | Sci-Fi | 7.750 | 7.500 | ||
| 6/28/13 | Eoin Colfer | The Supernaturalist | 290 | 2004 | Sci-Fi | 7.000 | 6.667 |