reading list
The Pale King
David Foster Wallace
Gentlemen here is a truth: enduring tedium over realtime in a confined space is what real courage is. Such endurance is as it happens, the distillate of what in this world neither I nor you have made, of heroism.
If nothing else, this book makes the IRS and taxes pretty interesting, mainly because of the characters that Wallace brings to life. We need not go down this branch of "if nothing else," though, because this novel is a lot more than that. The absence of the density of vocabulary which was characteristic of Infinite Jest arguably makes both of these works more impressive. Wallace has insane range, yet unmistakable tone.
Wallace approaches several themes of loneliness and boredom, which is ironic, considering that it is unfinished, and also the personal notion that books can be primarily used as an escape. It's an exploration of industrial psychology in the effects of monotony on the human psyche, and high-stakes tedium.
I was ‘reading’ the book only to place certain tart, mordant, margin-comments next to each bromide, cliche, or cloying bait of inauthentic pap, which meant just about every paragraph. The idea was that I would mail the book back to this immediate relative a week or two hence, along with a voluble thank-you note filled with the gestures and tactics of the book recommended – such as e.g. using the person’s first name over and over again, emphasizing areas of agreement and shared enthusiasm & c. – the overwhelming sarcasm of which this relative would not detect until he then opened the book and saw the acerbic magnolia on every page
Sylvanshine know this aide's shoe size and total blood volume, but not his name. ... Sylvanshine, his eyes rolling up slightly white, received a whole slew of facts about the CTO that he did not wish to know, including the specs of her mitochondrial DNA and the fact that it was ever so slightly nonstandard due to her mother's having taken thalimode four days before it was abruptly yanked from the shelves. Training Offcer Pam Jensen had a .22 revolver in her purse–she had promised herself a bullet in the roof of her mouth after her 1,500th training presentation, which at current rates would be July 1986.
Cusk treating the beauty and viability of a woman behind him as equivalent to the threat that she poses to him and the incipience of a nervous breakdown because of his sweatiness is hilarious.
Another fun subsection about the delineation between phantoms which are mental interruptions and ghosts which are supernatural apparitions of those who have died in the examination office
Every Whole person has ambitions, objectives, initiatives, goals. This one particular boy’s goal was to be able to press his lips to every square inch of his own body
the pink room, and DFW’s horrors from the psych ward:
'The way he started talking to me was in the pink room, which was the isolation room, which is where they put you if you were on suicide watch and the law said you had to be legally observed twenty-four hours a day, or if you acted out in a disciplinary way where they said you presented a danger or disruptive influence—they could put you in there.’
‘Called the pink room because that was the room’s color?’ Drinion asks.
Meredith Rand smiles coolly. ‘Baker-Miller pink, to be exact, because there had been experiments showing that seeing pink soothed mental agitation, and soon every nut ward everywhere started painting their isolation room pink. He told me that, too. He explained the color of the room they put me in; it had a sloped floor and a drain in the middle like something out of the Middle Ages. I was never on suicide watch, if you’re wondering. I have no idea how tripped out you are by any of this, like uh-oh here’s this “crazy person, she was in Zeller when she was seventeen.’
‘I wasn’t thinking that.’
‘What I did was tell a doctor who wasn’t even my doctor, I mean the one my dad’s insurance was paying for, but this was a different doctor who’d come in and cover for the doctor’s cases when he couldn’t come in, they all covered for each other all the time this way, so in like five days you’d talk to three different doctors, and they had to spread your file and case notes or whatever out on the table to even remember who you were—and this doctor, who never even blinked, kept trying to get me to talk about being abused and neglected as a child, which I never was, and I ended up telling him he was a freaking idiot and that he could either believe me when I told him the truth or just stick it up his stupid fat butt. And then that night I’m in the pink room, he’d ordered it, which was bullshit. Not like they dragged me in there and threw me in and slammed the door—everybody was pretty nice about it. But you know, one of the weird things about being in a psych hospital is you gradually start to feel like you have permission to say whatever you’re thinking. You feel like it’s OK or maybe even in some way expected to act crazy or uninhibited, which at first feels kind of liberating and good; there’s this feeling like no more smiley masks, no more pretending, which feels good, except it gets kind of seductive and dangerous, and actually it can make people worse in there—some inhibitions are good, they’re normal, he said, and part of the syndrome they call some people eventually getting institutionalized is that they get put in a nut ward at a young age or a fragile time when their sense of themselves is not really very fixed or resilient, and they start acting the way they think people in nut wards are expected to act, and after a while they really are that way, and they get caught in the system, the mental-health system, and they never really get out.’
‘And he told you that. He warned you about using uninhibited insults with the psychiatrist.’Her eyes have changed; she puts her chin in her hand, which makes her seem even younger. ‘He told me a lot of things. A lot. We talked for like two hours the night I was in the pink room. We both laugh about it now—he talked way more than I did, which is not how it’s supposed to be done. After a while every night we were in there like clockwork, ta—’
‘You went to the isolation room?
'No, I was just in there that one night, and the regular case doctor, I have to admit it, he got the substitute one in some kind of disciplinary trouble for signing me in there; he said it was reactive.’ Rand stops and taps her fingers against the side of her cheek. ‘Shit, I forget what I was saying.’
Drinion looks slightly upward for an instant. ‘“Every night we were in there like clockwork.”'
Pale King is frustrating in part because of the subject and because it’s unfinished
It's still so so good if you like his style of writing, but very much not a complete book, nor do I think it would’ve been if he finished it - so in that sense it’s perfect at what it sets out to do, which is tragically poetic.
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DFW publishes Infinite Jest in ‘96
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Rolling Stones sends Lipsky to profile him (first ever non-rockstar to be covered by that mag, kinda cool)
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Lipsky presses him on the addiction rumors and David snaps at him in this scene in the living room
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DFW kills himself in 2008
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Lipsky publishes his memoir Although of Course You End Up Becoming Yourself about DFW which "The End of Tour" (2015) is based on in 2010. Contains the account of David’s recollection of being put into a pink padded room in psych ward for SI
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DFW’s unfinished novel The Pale King is published in 2011 about the bleak existence of working at the IRS. Something of a meditation on depression and boredom itself, in which one of the characters jokes about needing to be put into a 20x20 pink padded room with a drain in the middle of the floor
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2015 The End of the Tour movie depicts Lipsky’s 2010 account of real life verbal altercation over addiction which describes pink padded room
A subtle and harrowing explanation of "man how does this guy come up with this shit?"
'Guy who speaks latin, but not pig latin' is a good bit
related
| Read | Author | Title | Pages | Published | Genre | Rating | Rating' | Tags | Recommended by |
|---|---|---|---|---|---|---|---|---|---|
| 4/15/25 | David Foster Wallace | The Pale King | 636 | 2011 | Fiction | 7.750 | 7.500 | ||
| 4/2/26 | Roberto Bolaño | Posthumous Stories | 160 | 2025 | Fiction | 7.000 | 6.667 | posthumous | |
| 3/19/26 | David Foster Wallace | The Broom of the System | 467 | 1987 | Fiction | 7.875 | 7.639 | ||
| 9/16/25 | David Foster Wallace | Brief Interviews with Hideous Men | 288 | 1999 | Fiction | 8.633 | 8.481 | ||
| 8/3/25 | Roberto Bolaño | The Savage Detectives | 656 | 1998 | Fiction | 7.167 | 6.852 | author self-insert | Dasha |
| 10/30/24 | David Foster Wallace | Infinite Jest | 1451 | 1996 | Fiction | 10.000 | 10.000 | ||
| 4/9/24 | Roberto Bolaño | 2666: A Novel | 912 | 2004 | Fiction | 8.150 | 7.944 | posthumous | roon |
| 5/27/17 | Franz Kafka | The Trial | 150 | 1925 | Fiction | 7.500 | 7.222 | beauracracy | |
| 5/20/16 | Kurt Vonengut | Timequake | 278 | 2011 | Fiction | 8.250 | 8.056 | author self-insert | Sean G. |
| 4/17/26 | Gillian Rose | Love's Work | 176 | 1995 | Biography | 7.850 | 7.611 | posthumous | |
| 12/18/25 | John Milton | De Doctrina Christiana | 564 | 1645 | Non-Fiction | N/A | N/A | posthumous | |
| 11/10/25 | David Foster Wallace | Wittgenstein's Mistress: Afterword to | 24 | 1988 | Essays | 8.000 | 7.778 | ||
| 4/20/25 | E.M. Cioran | Lacrimi si Sfinti | 197 | 1937 | Philosophy | 4.500 | 3.889 | referenced | |
| 1/18/25 | Stephen King | Lisey's Story | 527 | 2006 | Horror | 6.917 | 6.574 | referenced | Banks G. |
| 1/7/25 | William Peter Blatty | The Exorcist | 340 | 1971 | Horror | 8.000 | 7.778 | referenced | Dad |
| 6/6/24 | Philip K. Dick | VALIS | 307 | 1981 | Psychology | 7.875 | 7.639 | author self-insert | Alex W. |
| 6/2/24 | Philip K. Dick | Flow My Tears, the Policeman Said | 259 | 1974 | Sci-Fi | 7.063 | 6.736 | beauracracy | |
| 7/15/23 | Gene Wolfe | Fifth Head of Cerberus | 244 | 1972 | Sci-Fi | 9.083 | 8.981 | beauracracy | |
| 4/20/20 | Alec Robbins | Mr. Boop | 384 | 2020 | Graphic Novel | 7.750 | 7.500 | author self-insert | |
| 10/10/17 | Naguib Mahfouz | The Thief and the Dogs | 162 | 1961 | Historical Fiction | 7.250 | 6.944 | beauracracy | Steg |
| 6/14/17 | Aleksandr Solzhenitsyn | The Gulag Archipelago | 528 | 1973 | Non-Fiction | 7.750 | 7.500 | beauracracy | |
| 11/13/26 | Donna Tartt | The Secret History | 559 | 1992 | Fiction | 8.000 | 7.778 | Kayla | |
| 11/13/26 | Michel Houellebecq | Serotonin | 352 | 2019 | Fiction | 7.250 | 6.944 | ||
| 10/22/26 | Yu Miri | Tokyo Ueno Station | 192 | 2021 | Fiction | 6.000 | 5.556 | ||
| 10/21/26 | Don DeLillo | Mao II | 256 | 1992 | Fiction | 8.000 | 7.778 | ||
| 10/16/26 | Mikhail Lermontov | A Hero of Our Time | 208 | 1840 | Fiction | 7.450 | 7.167 | Zack B. | |
| 10/12/26 | Fyodor Dostoevsky | White Nights | 96 | 1848 | Fiction | 6.500 | 6.111 | Taylor R. | |
| 10/6/26 | Rohinton Mistry | A Fine Balance | 624 | 1995 | Fiction | 7.650 | 7.389 | Kayla | |
| 10/4/26 | Don DeLillo | Pafko at the Wall | 96 | 2001 | Fiction | 7.250 | 6.944 | ||
| 9/25/26 | William Gaddis | Carpenter's Gothic | 288 | 1985 | Fiction | 8.500 | 8.333 | ||
| 9/24/26 | Osamu Dazai | No Longer Human | 177 | 1948 | Fiction | 7.650 | 7.389 | ||
| 9/16/26 | Herman Melville | Moby Dick | 608 | 1851 | Fiction | 8.450 | 8.278 | Howarddd | |
| 9/7/26 | Don DeLillo | White Noise | 320 | 1985 | Fiction | 7.750 | 7.500 | Ben Roth | |
| 9/5/26 | John Williams | Nothing but the Night | 144 | 1948 | Fiction | 7.350 | 7.056 | ||
| 8/26/26 | Stefan Zweig | Beware of Pity | 392 | 1939 | Fiction | 7.850 | 7.611 | ||
| 8/18/26 | Miroslav Krleža | On the Edge of Reason | 192 | 1938 | Fiction | 7.850 | 7.611 | ||
| 8/13/26 | Cormac McCarthy | Cities of the Plain The Border Trilogy (3) | 292 | 1998 | Fiction | 7.750 | 7.500 | ||
| 8/10/26 | Cormac McCarthy | The Crossing The Border Trilogy (2) | 426 | 1994 | Fiction | 7.500 | 7.222 | ||
| 8/6/26 | Cormac McCarthy | All the Pretty Horses The Border Trilogy (1) | 302 | 1992 | Fiction | 7.625 | 7.361 | ||
| 8/4/26 | Ray Bradbury | There Will Come Soft Rains | 5 | 1950 | Fiction | 6.750 | 6.389 | ||
| 7/31/26 | Mikhail Bulgakov | Heart of a Dog | 123 | 1968 | Fiction | 7.350 | 7.056 | Zack B. | |
| 7/29/26 | Min Jin Lee | Pachinko | 544 | 2017 | Fiction | 6.583 | 6.204 | ||
| 7/20/26 | Thomas Mann | The Magic Mountain | 706 | 1924 | Fiction | 7.300 | 7.000 | Scott | |
| 6/28/26 | Ivan Turgenev | Fathers and Sons | 226 | 1862 | Fiction | 7.000 | 6.667 | Scott | |
| 6/6/26 | Mikhail Bulgakov | The Master and Margarita | 450 | 1967 | Fiction | 7.650 | 7.389 | ||
| 5/5/26 | Brian Evenson | Altmann's Tongue | 278 | 1994 | Fiction | 6.500 | 6.111 | ||
| 5/1/26 | Laura Knowlin | if only i had told her | 391 | 2024 | Fiction | 6.033 | 5.593 | ||
| 4/27/26 | Jean Raspail | The Camp of the Saints | 356 | 1973 | Fiction | 5.500 | 5.000 | ||
| 4/22/26 | Virginia Woolf | To the Lighthouse | 209 | 1927 | Fiction | 7.350 | 7.056 | Ben Roth | |
| 4/19/26 | Benjamín Labatut | When We Cease to Understand the World | 192 | 2021 | Fiction | 8.000 | 7.778 | ||
| 4/18/26 | László Krasznahorkai | Chasing Homer | 96 | 2019 | Fiction | 6.650 | 6.278 | ||
| 4/17/26 | Cormac McCarthy | No Country for Old Men | 320 | 2005 | Fiction | 8.250 | 8.056 | ||
| 4/13/26 | Cormac McCarthy | Blood Meridian | 349 | 1985 | Fiction | 8.650 | 8.500 | ||
| 4/11/26 | Patrick White | Voss | 442 | 1957 | Fiction | 7.650 | 7.389 | ||
| 4/5/26 | John Williams | Augustus | 336 | 1971 | Fiction | 8.250 | 8.056 | ||
| 4/5/26 | Joseph Andras | Tomorrow They Won't Dare to Murder Us | 144 | 2021 | Fiction | 8.000 | 7.778 | ||
| 4/2/26 | Sophocles | Oedipus Rex | 94 | -429 | Fiction | 7.000 | 6.667 | ||
| 4/1/26 | Makenna Goodman | Helen of Nowhere | 160 | 2025 | Fiction | 7.350 | 7.056 | ||
| 3/31/26 | Roberto Bolaño | The Return | 208 | 2010 | Fiction | 7.115 | 6.795 | ||
| 3/27/26 | Roberto Bolaño | The Third Reich | 277 | 1989 | Fiction | 7.750 | 7.500 | ||
| 3/25/26 | Roberto Bolaño | Nazi Literature in the Americas | 237 | 1996 | Fiction | 8.250 | 8.056 | ||
| 3/23/26 | Roberto Bolaño | The Skating Rink | 192 | 1993 | Fiction | 7.350 | 7.056 | ||
| 3/22/26 | Roberto Bolaño | The Insufferable Gaucho | 164 | 2003 | Fiction | 7.625 | 7.361 | ||
| 3/21/26 | Roberto Bolaño | A Little Lumpen Novelita | 128 | 2002 | Fiction | 7.550 | 7.278 | ||
| 3/20/26 | Roberto Bolaño | Antwerp | 119 | 2002 | Fiction | 7.250 | 6.944 | ||
| 3/14/26 | Alexis Wright | Praiseworthy | 736 | 2023 | Fiction | 7.125 | 6.806 | ||
| 3/4/26 | André Gide | The Immoralist | 154 | 1902 | Fiction | 7.000 | 6.667 | Ben Roth | |
| 3/3/26 | Stefan Zweig | Chess | 84 | 1942 | Fiction | 8.500 | 8.333 | ||
| 2/28/26 | Lucy Ellmann | Ducks, Newburyport | 1022 | 2019 | Fiction | 2.000 | 1.111 | ||
| 2/16/26 | Natsuo Kirino | Out | 416 | 1992 | Fiction | 5.000 | 4.444 | ||
| 1/30/26 | William H. Gass | The Tunnel | 652 | 1995 | Fiction | 8.550 | 8.389 | Ben Roth | |
| 1/25/26 | Jon Fosse | A New Name Septology (3) | 228 | 2021 | Fiction | 7.000 | 6.667 | ||
| 1/25/26 | Jacqueline Harpman | I Who Have Never Known Men | 184 | 1995 | Fiction | 6.850 | 6.500 | Jessika | |
| 1/24/26 | Jon Fosse | The Other Name Septology (1) | 351 | 2019 | Fiction | 6.500 | 6.111 | ||
| 1/24/26 | Jon Fosse | I is Another Septology (2) | 271 | 2020 | Fiction | 6.833 | 6.481 | ||
| 1/20/26 | John Williams | Butcher's Crossing | 274 | 1960 | Fiction | 7.750 | 7.500 | ||
| 1/19/26 | Raymond Carver | What We Talk About When We Talk About Love | 176 | 1981 | Fiction | 6.500 | 6.111 | ||
| 1/18/26 | Sally Rooney | Beautiful World, Where Are You | 368 | 2021 | Fiction | 6.250 | 5.833 | Kayla | |
| 1/1/26 | Juan Rulfo | Pedro Páramo | 144 | 1955 | Fiction | 7.850 | 7.611 | ||
| 12/26/25 | Boris and Arkady Strugatsky | One Billion Years to the End of the World | 176 | 1977 | Fiction | 7.450 | 7.167 | ||
| 12/23/25 | Sally Rooney | Intermezzo | 448 | 2024 | Fiction | 7.850 | 7.611 | ||
| 11/27/25 | Vladimir Sorokin | Their Four Hearts | 204 | 1994 | Fiction | 7.500 | 7.222 | ||
| 11/10/25 | David Markson | Wittgenstein's Mistress | 248 | 1988 | Fiction | 8.250 | 8.056 | Dasha | |
| 10/22/25 | Milan Kundera | The Unbearable Lightness of Being | 314 | 1984 | Fiction | 8.200 | 8.000 | Ben Roth | |
| 10/15/25 | Louis-Ferdinand Céline | Guignol's Band | 287 | 1944 | Fiction | 6.000 | 5.556 | ||
| 10/12/25 | László Krasznahorkai | Sátántangó | 333 | 1985 | Fiction | 7.850 | 7.611 | ||
| 10/9/25 | Vigdis Hjorth | Will and Testament | 336 | 2016 | Fiction | 8.000 | 7.778 | ||
| 10/2/25 | Brett Easton Ellis | The Informers | 240 | 1994 | Fiction | 7.000 | 6.667 | ||
| 9/29/25 | John Williams | Stoner | 278 | 1965 | Fiction | 8.250 | 8.056 | ||
| 9/18/25 | Fyodor Dostoevsky | Poor Folk | 288 | 1846 | Fiction | 6.750 | 6.389 | Tommy A. | |
| 9/4/25 | Sue Monk Kidd | The Book of Longings | 432 | 2020 | Fiction | 6.350 | 5.944 | ||
| 8/25/25 | Roberto Bolaño | Amulet | 154 | 1999 | Fiction | 7.000 | 6.667 | ||
| 8/9/25 | Toni Morrison | Song of Solomon | 338 | 1977 | Fiction | 7.350 | 7.056 | Ben Roth | |
| 8/7/25 | Roberto Bolaño | Monsieur Pain | 134 | 1999 | Fiction | 8.100 | 7.889 | ||
| 8/6/25 | Denis Johnson | Train Dreams | 116 | 2002 | Fiction | 7.450 | 7.167 | Ben Roth | |
| 8/6/25 | Christina Brooke-Rose | Amalgamemnon | 152 | 1984 | Fiction | 7.250 | 6.944 | Dasha | |
| 8/5/25 | Thomas Pynchon | The Crying of Lot 49 | 152 | 1965 | Fiction | 8.750 | 8.611 | Preston | |
| 8/5/25 | Roberto Bolaño | By Night in Chile | 118 | 2000 | Fiction | 7.250 | 6.944 | ||
| 7/31/25 | William Faulkner | As I Lay Dying | 288 | 1930 | Fiction | 7.750 | 7.500 | Dasha | |
| 7/14/25 | Mark Z. Danielewski | The Fifty Year Sword | 280 | 2005 | Fiction | 5.500 | 5.000 | ||
| 7/11/25 | Vladimir Nabokov | The Enchanter | 144 | 1986 | Fiction | 7.750 | 7.500 | ||
| 7/10/25 | Vladimir Nabokov | Look at the Harlequins! | 224 | 1974 | Fiction | 8.286 | 8.095 | ||
| 7/7/25 | Vladimir Nabokov | Nabokov's Dozen | 214 | 1958 | Fiction | 6.635 | 6.261 | ||
| 7/7/25 | Vladimir Nabokov | Transparent Things | 127 | 1972 | Fiction | 8.250 | 8.056 | ||
| 7/4/25 | Dino Buzzati | The Tartar Steppe | 198 | 1940 | Fiction | 7.650 | 7.389 | Ben Roth | |
| 6/24/25 | Vladimir Nabokov | Ada or Ardor: A Family Chronicle | 500 | 1969 | Fiction | 6.550 | 6.167 | ||
| 6/19/25 | Vladimir Nabokov | Pnin | 208 | 1957 | Fiction | 7.650 | 7.389 | ||
| 6/9/25 | Vladimir Nabokov | Bend Sinister | 272 | 1947 | Fiction | 7.250 | 6.944 | ||
| 6/7/25 | Vladimir Nabokov | The Gift | 384 | 1938 | Fiction | 6.250 | 5.833 | ||
| 6/3/25 | Vladimir Nabokov | Invitation to a Beheading | 240 | 1936 | Fiction | 7.500 | 7.222 | ||
| 5/31/25 | Gillian Flynn | Sharp Objects | 252 | 2006 | Fiction | 7.000 | 6.667 | ||
| 5/31/25 | Vladimir Nabokov | Laughter in the Dark | 304 | 1933 | Fiction | 7.350 | 7.056 | ||
| 5/27/25 | Hubert Selby Jr. | Last Exit to Brooklyn | 320 | 1964 | Fiction | 8.708 | 8.565 | King | |
| 5/24/25 | Herman Melville | Bartleby the Scrivener | 74 | 1853 | Fiction | 7.000 | 6.667 | Ben Roth | |
| 5/9/25 | Vladimir Nabokov | King, Queen, Knave | 272 | 1928 | Fiction | 7.600 | 7.333 | ||
| 5/9/25 | Vladimir Nabokov | The Eye | 128 | 1930 | Fiction | 6.500 | 6.111 | ||
| 5/8/25 | Vladimir Nabokov | Mary | 144 | 1926 | Fiction | 7.250 | 6.944 | ||
| 4/20/25 | Vladimir Nabokov | Glory | 224 | 1932 | Fiction | 6.750 | 6.389 | ||
| 4/19/25 | Vladimir Nabokov | Despair | 240 | 1934 | Fiction | 7.000 | 6.667 | ||
| 4/18/25 | Jane Austen | Sense and Sensibility | 432 | 1811 | Fiction | 7.750 | 7.500 | Emma | |
| 4/18/25 | Vladimir Nabokov | The Luzhin Defense | 280 | 1930 | Fiction | 7.850 | 7.611 | ||
| 4/14/25 | Elisa Shua Dusapin | The Pachinko Parlor | 164 | 2018 | Fiction | 7.850 | 7.611 | ||
| 2/7/25 | James Joyce | Ulysses | 732 | 1920 | Fiction | 8.181 | 7.978 | ||
| 1/30/25 | Leo Tolstoy | The Death of Ivan Ilyich | 128 | 1886 | Fiction | 6.750 | 6.389 | King | |
| 1/29/25 | Hubert Selby Jr. | Requiem for a Dream | 288 | 1978 | Fiction | 7.500 | 7.222 | ||
| 1/21/25 | Kaveh Akbar | Martyr! | 352 | 2024 | Fiction | 7.750 | 7.500 | Tommy A. | |
| 1/14/25 | James Baldwin | Go Tell it on the Mountain | 272 | 1952 | Fiction | 8.000 | 7.778 | ||
| 1/12/25 | James Baldwin | If Beale Street Could Talk | 197 | 1974 | Fiction | 6.250 | 5.833 | ||
| 1/10/25 | James Baldwin | Giovanni's Room | 159 | 1956 | Fiction | 6.500 | 6.111 | ||
| 1/10/25 | Anthony Burgess | A Clockwork Orange | 243 | 1962 | Fiction | 7.500 | 7.222 | ||
| 1/4/25 | Khaled Hosseini | Kite Runner | 371 | 2003 | Fiction | 6.750 | 6.389 | ||
| 12/26/24 | Fyodor Dostoevsky | Notes from Underground | 168 | 1864 | Fiction | 7.500 | 7.222 | Tommy A. | |
| 12/10/24 | Neal Stephenson | Zodiac | 316 | 1988 | Fiction | 7.000 | 6.667 | ||
| 11/6/24 | Fyodor Dostoevsky | The Gambler | 191 | 1866 | Fiction | 6.500 | 6.111 | ||
| 11/5/24 | Fyodor Dostoevsky | The Double | 144 | 1846 | Fiction | 6.250 | 5.833 | ||
| 10/25/24 | Vladimir Nabokov | The Real Life of Sebastian Knight | 236 | 1941 | Fiction | 7.150 | 6.833 | ||
| 10/25/24 | Various | 40 x 40 | 394 | 2003 | Fiction | 7.500 | 7.222 | ||
| 10/20/24 | Fyodor Dostoevsky | The Idiot | 486 | 1869 | Fiction | 7.125 | 6.806 | Tommy A. | |
| 10/18/24 | John Kennedy Toole | A Confederacy of Dunces | 405 | 1980 | Fiction | 7.750 | 7.500 | Tommy A. | |
| 10/13/24 | Italo Calvino | Invisible Cities | 179 | 1972 | Fiction | 5.500 | 5.000 | ||
| 10/1/24 | Fyodor Dostoevsky | Crime and Punishment | 527 | 1866 | Fiction | 7.286 | 6.984 | Tommy A. | |
| 9/30/24 | Jorge Luis Borges | The Zahir | 13 | 1949 | Fiction | 7.250 | 6.944 | ||
| 9/26/24 | Haruki Murakami | Kafka on the Shore | 505 | 2002 | Fiction | 5.875 | 5.417 | ||
| 9/25/24 | Franz Kafka | In the Penal Colony | 33 | 1919 | Fiction | 7.500 | 7.222 | ||
| 9/25/24 | Ray Bradbury | The Veldt | 13 | 1950 | Fiction | 6.500 | 6.111 | ||
| 9/19/24 | William Faulkner | Light in August | 498 | 1932 | Fiction | 7.350 | 7.056 | ||
| 9/9/24 | Thomas Pynchon | V. | 545 | 1963 | Fiction | 7.221 | 6.912 | ||
| 8/14/24 | Fyodor Dostoevsky | The Brothers Karamazov | 898 | 1880 | Fiction | 8.654 | 8.504 | Tommy A. | |
| 8/5/24 | Brian O'Raleigh | Passage to Inis Mór | 305 | 2020 | Fiction | 7.750 | 7.500 | Grandpa | |
| 6/28/24 | Te-Ping Chen | The Land of Big Numbers | 236 | 2021 | Fiction | 5.625 | 5.139 | ||
| 6/26/24 | Various | American Short Fiction Vol. 9, Issue 33 | 128 | 2006 | Fiction | 7.625 | 7.361 | ||
| 6/20/24 | James Joyce | A Portrait of the Artist as a Young Man | 299 | 1916 | Fiction | 6.500 | 6.111 | ||
| 6/7/24 | Philip Roth | Everyman | 193 | 2006 | Fiction | 4.500 | 3.889 | ||
| 6/6/24 | Jorge Luis Borges | Tlön, Uqbar, Orbis Tertius | 16 | 1940 | Fiction | 7.750 | 7.500 | Chabon | |
| 6/3/24 | Cormac McCarthy | The Road | 257 | 2006 | Fiction | 7.500 | 7.222 | Chabon | |
| 5/30/24 | Vladimir Nabokov | Lolita | 336 | 1955 | Fiction | 8.213 | 8.014 | ||
| 5/17/24 | Neil Gaiman | American Gods | 518 | 2001 | Fiction | 5.125 | 4.583 | Nick W. | |
| 3/21/24 | John Steinbeck | East of Eden | 601 | 1952 | Fiction | 8.688 | 8.542 | Jack H. | |
| 2/19/24 | Ray Bradbury | Mars is Heaven | 12 | 1948 | Fiction | 8.000 | 7.778 | ||
| 9/1/23 | Máirtín Ó Cadhain | Graveyard Clay | 328 | 1949 | Fiction | 6.750 | 6.389 | ||
| 12/13/22 | Adam Silvera | They Both Die at the End | 243 | 2017 | Fiction | 2.000 | 1.111 | ||
| 7/25/22 | Ray Bradbury | The Illustrated Man | 256 | 1969 | Fiction | 7.500 | 7.222 | ||
| 6/13/22 | Stephen King | The Institute | 576 | 2019 | Fiction | 6.500 | 6.111 | ||
| 6/12/19 | Stephen King | The Stand | 1153 | 1978 | Fiction | 8.500 | 8.333 | Dad | |
| 4/20/18 | Anthony Powell | The Acceptance World A Dance to the Music of Time (3) | 353 | 1955 | Fiction | 6.750 | 6.389 | Steg | |
| 4/17/18 | Anthony Powell | A Buyer's Market A Dance to the Music of Time (2) | 292 | 1952 | Fiction | 6.750 | 6.389 | Steg | |
| 4/15/18 | Anthony Powell | A Question of Upbringing A Dance to the Music of Time (1) | 230 | 1951 | Fiction | 6.750 | 6.389 | Steg | |
| 3/10/18 | Virginia Woolf | Mrs. Dalloway | 224 | 1925 | Fiction | 6.500 | 6.111 | Steg | |
| 11/12/17 | Kazuo Ishiguro | Never Let Me Go | 304 | 2005 | Fiction | 4.000 | 3.333 | ||
| 10/15/17 | William Golding | Lord of the Flies | 189 | 1954 | Fiction | 7.000 | 6.667 | ||
| 9/1/17 | Hunter S. Thompson | Fear and Loathing in Las Vegas | 225 | 1971 | Fiction | 6.000 | 5.556 | Alex W. | |
| 8/12/17 | Kurt Vonnegut | Slaughterhouse Five | 190 | 1969 | Fiction | 7.750 | 7.500 | Sean G. | |
| 6/21/17 | Fredrik Backman | And Every Morning the Way Home Gets Longer and Longer | 96 | 2016 | Fiction | 9.000 | 8.889 | Mom | |
| 2/15/17 | Frank O'Connor | The Drunkard | 6 | 1948 | Fiction | 8.000 | 7.778 | ||
| 10/20/16 | Charles Dickens | A Tale of Two Cities | 544 | 1859 | Fiction | 6.750 | 6.389 | ||
| 10/10/16 | William Faulkner | The Sound and the Fury | 326 | 1927 | Fiction | 8.250 | 8.056 | Steg | |
| 5/20/16 | J.D. Salinger | Catcher in the Rye | 232 | 1951 | Fiction | 3.000 | 2.222 | ||
| 9/11/14 | Guy De Maupassant | The Prisoners | 24 | 1880 | Fiction | 7.500 | 7.222 | ||
| 3/15/13 | Richard Connell | The Most Dangerous Game | 18 | 1924 | Fiction | 7.250 | 6.944 | Mom |